MRL-364 Yesterday

Here's something I have been carrying around awhile. I had no idea people were having trouble finding it so it is with great pleasure I present it here.

Make sure you jump over to the Shad Shack for more great stuff like this.

The Stan Getz sides were recorded in 1948 but there is no info on when the other tracks were recorded, but given the similarity of personnel, I would assume it was near that time as well.

Yesterday
1. Diaper Pin
2. Interlude In Bebop
3. Hot Halavah
4. Birdland Jump
5. In A Little Spanish Town
6. As I Live In Bop
7. Talk A Little Bop
8. Sleepy Time Gal
9. In The Merry Land Of Bop
10 Stoned

Personnel and Instrumentation
Diaper Pin, As I Live In Bop, Interlude In Bop
Stan Getz - tenor
Jimmy Raney - guitar
Al Haig - piano
Clyde Lombardi - bass
Charlie Perry - drums

Stoned
Wardell Gray - tenor
Al Haig - piano
Clyde lombardi - bass
Charlie Perry - drums

In A Little Spanish Town, Talk A Little Bop
Jimmy Raney, Terry Swope - vocals
Al Haig - piano
Don Russo - bass
Charlie Perry - drums

Sleepy Time Gal, Birdland Jump
Paul Qunichette - tenor
Freddie Green - guitar
Kenny Drew - piano
Gene Rainey - bass
Gus Johnson, Jr. - drums

Hot Halavah, In The Merry Land Of Bop
Dave Lambert, Buddy Stewart, Blossom Dearie - vocals
Allen Eager - tenor
Gerry Mulligan - baritone sax
Benny Green - trombone
Al Haig - piano
Clyde Lombardi - bass
Charlie Perry - drums

Mainstream MRL-364

Coleman Hawkins - accent on tenor sax

This is the last of the posts for Hawks birthday. While not the rarest, it is still not seen often, and remains one of my favorites as well.
This lp is a perfect example of how Hawk was straddling two camps. His playing is as lightning fast and full of ideas as any of the current (at the time) boppers and yet he could just as easily drop right back into swing mode, sometimes with in the same song as shown in the outstanding opening track.
Given the crew it sticks closer to the swing feel than anything but he still manages to slip in a bit of of samba, another nod to the then current vogue.


This is a solid lp that covers a lot of territory. Once again i apologize for the small imperfections through out. This is taken from the originally released lp and not a reissue.

Coleman Hawkins
accent on tenor sax

1. I'll Never Be The Same
2. Blue Room
3. When Your Lover has Gone
4. Running Wild
5. The Breeze and I
6. What's New
7. I'll String Along With You
8. My Own Blues

Coleman Hawkins - tenor sax
Ernie Royal - trumpet
Eddie Bert - trombone
Earl Night - piano, organ
Wendell Marshall - bass
Osie Johnson - drums
Sidney Gross - guitar


Urania Records UJLP-1201

Coleman Hawkins Quartet - The Jazz Version of No Strings

Here's another in honor of Bean's birthday this weekend. I really don't see this one about much, so here ya go. as usual, ripped from the vinyl.

This quartet is the same one that recorded Today and Now for Impulse and that record remains one of my favorites to this day. There is not nearly as much stretching out on this lp, not surprisingly as it was released under the Moodsville imprint.

Apparently No Strings - the play - has the distinction of being the first for which Richard Rodgers wrote both music and lyrics. Guess the lyric part is kinda pointless here.

If the liner notes are to be believed this lp was recorded within weeks of the show opening on Broadway. Rodgers moved the orchestra from the pit and behind the stage with soloists wandering on stage to accentuate certain moods. Sounds interesting. I wonder if it worked. The show itself opened 3/15/62.

The Coleman Hawkins Quartet
The Jazz Version of No Strings

1. Look No Further
2. La La La
3. Nobody Told Me
4. Maine
5. Loads Of Love
6. The Sweetest Sounds
7. Be My Host
8. The Man Who Has Everything
9. No Strings

Coleman Hawkins - tenor sax
Tommy Flanagan - piano
Major Holley - bass
Eddie Locke - drums

recorded 3/30, 4/4/62

Moodsville 25

Something New, Something Blue - Columbia Special Projects lp

Well isn't that a tiny little cover? Pretty cool lp though...for what it is. Columbia special projects? Whatever that may be. Was this stuff released elsewhere? I have no idea.

Basically a bunch of blues tunes, originals and covers arranged by 4 up and coming composers. All star casts were supplied. It may not be perfect but it actually works.

You really have to love finding this kinda thing in the dollar bins at local flea markets!

Something New, Something Blue

1. Night Crawlers
2. Tin Roof Blues
3. Blues for Amy
4. St. Louis Blues
5. Swinging Goatsherd Blues
6. Blues in The Night
7. East Hampton Blues
8. Davenport Blues

1-4 recorded 5/15/59

Manny Alban - leader
Bill Evans - piano
Art Farmer - trumpet
Phil Woods - saxophone
Frank Rehak - trombone
Eddie Costa - vibes
Al Cohn - saxophone
Addison Farmer - bass
Ed Shaughnessy - drums
Teo Macero - leader

5-8 recorded 4/30/59

Teddy Charles - vibes, leader
Bill Russo - leader
Ed Shaughnessy - drums
Mal Waldron - piano
Bob Brookmeyer - trombone
George Duvivier - drums
Donald Byrd - trumpet
Hal McCusnick - saxophone
Frank Socolow - saxophone

CL 1388

Battle of the Tenor Saxes - IAJRC 15

A big damn thanks to Luis for scanning this cover for me.


I used to be a member of this organization, but economics and differences in taste finally caused me to drop out. I still hold them in the highest regard.

This is obviously a labor of love. Self published and full of rare tracks, I truly hope I am not hurting any one's feelings by sharing this, but it no longer appears available on their website in any form.
This lp is split into two camps, "The Big Sound" and "The Cool School". Can't say I really dig one side over the other as this is some outstanding shit.

The liner notes are extensive, comprehensive and far too detailed to provide here. but the one thing I want to reiterate from them - "Melvin Moore's vocal on Deep Purple is regrettable but the side is included here for its rarity as well as the brief contribution of Marsh."

(Aw shit - an hour of typing gone in a keystroke - what you get here is a track
and artist list, full personnel detail available in a couple of days.

Battle Of The Tenor Saxes IAJRC 15
Side One - "The Big Sound"

1. Skippy - Coleman Hawkins
2. Surf Board - Ben Webster
3. Dumb Woman Blues - Gene Ammons
4. Cup-Mute Clayton - Ike Quebec
5. Topsy - Ike Quebec
6. The Happening - Paul Gonsalves
7. Sahara Heat - Illinois Jaquet
8. Don't Push Daddy - Illinois Jaquet

Side Two - "The Cool School"

9. Movin' With Lester - Lester Young
10. Lester Smooths It Out - Lester Young
11. On The Town - Dexter Gordon
12. The Way You Look Tonight - Allen Eager
13. I'm Shooting High - Warne Marsh
14. Deep Purple - Warne Marsh
15. Oh Well - James Moody
16. The Great Lie - Wardell Gray

IAJRC 15

You won't gleam a lot of info off this back cover scan but here it is if you want to try. Again , thanks Luis.

Hampton Hawes Trio - Mitchell's Studio Club

This pair of lps is not terribly rare but I had them loaded up and i thought why not share, maybe someone will be unfamiliar with this fellow.

Hawes was a veteran of the west coast scene when he was railroaded after selling a bit of smack to a federal agent in the early 60s. Not to defend what he did, but he received double the maximum penalty that can only be attributed to the social conditions at the time. These records were made shortly after he left rehab after a pardon by president Kennedy.
He had by this time returned to form and was swinging in this new trio, consisting of an old friend and a new sensation.

These records were recorded over a period of two nights at Mitchells Studio Club in LA on April 30 & May 1, 1966.

Hampton Hawes Trio
The Seance
1. The Seance
2. Oleo
3. Easy Street
4. Suddenly I Thought Of You
5. For Heaven's Sake
6. My Romance

I'm All Smiles
1. I'm All Smiles
2. Manha de Carnaval
3. Spring Is Here
4. The Shadow Of Your Smile
5. Searchin'

Hampton Hawes - piano
Red Mitchell - bass
Donald Bailey - drums



Contemporary S7621
Contemporary S7631

Coleman Hawkins in the 40's - Vol.1

With Hawk's birthday coming up this weekend, I thought I might post and handful of his lps I have laying about. Hawk may have been the first of the jazz artists outside of the "bop" pantheon that I truly came to appreciate. Not the first I heard, or enjoyed, that was probably Artie Shaw, but the first that I really learned to dig into and find out what he was all about. I still list Bean among my favorites.

The first batch of songs was released as one of the lps on this Prestige two-fer. They are a bunch of 78's from the 40's. The first four sides signal the coming of the "new music" and include what has come to be accepted as the first modern showings of bop, with venerable sideman, Thelonious Monk. Track 4, Drifting On A Reed, still invariably makes its way onto compilations i make for people who "just don't get jazz" and decide to sample it.
i don't know where else these songs have been reissued and it is with great pleasure that I keep them alive here.



This second batch is from a Trip records reissue titled "Coleman Hawkins with The Trumpet Kings - 1945". Do not be fooled into thinking this is Bean with some sort of super group but rather another collection of various sides that just so happen to showcase trumpters as well as Hawk. More firmly rooted in the swing era, as evidenced by the songs covered, these tracks are still full of crackling energy and it is fun to hear Hawk with these"old timers". Even though he came up among them, it was his forward facing nature that keeps me from thinking he was actually "one of them." The sides with Roy Eldridge are particularly good.



Once again as this is basically a compilation, there is no way I am going to list all the personnel. And on a funnier note, I can't even seem to locate my trip lp, even though I ripped it only a couple of weeks ago. All information should be easily located through the glory of the internet. If necessary, contact me and I will see about supplying the info if necessary.

While listed as two separate lps - both fit handily on one disc. As usual taken from my vinyl rips.

Coleman Hawkins - The 40's 78s
1. On The Bean
2. Recollection
3. Flyin' Hawk
4. Driftin' On A Reed
5. I Mean You
6. Bean and the Boys
7. Cocktails For Two
8. You Go To My Head
9. Sih-Sah
10. Bay-U-Bah
11. Sophisticated lady
12. Bean's Talking Again

Milestone M-47015-1

Coleman Hawkins and the Trumpet Kings
1. I Only Have Eyes For You
2. 's Wonderful
3. I'm In The Mood For Love
4. Bean At The Met
5. Thru For The Night
6. I'm Yours
7. Under a Blanket of Blue
8. Beyond The Blue Horizon
9. In A Shanty In Old Shanty Town
10. My Man
11. El Salon de Gutbucket
12. Embraceable You

Trip 5515

Courtesy of our friend Otis - the personnel for the Trumpet Kings lp is now listed in the comments section.

Kenny Drew / Niels-Henning Orsted Pederson - Duo 2

It's late at night, the lights are off and with only the glow of the streetlamps through the window, the Sandman evades me. This record spins on the turntable, and the warm glass of bourbon feels good in my hand.
I should have been asleep hours ago but I found myself wandering the apartment and this seemed like the best way to settle down.



The other selections are inspired, don't get me wrong. A couple of Drew originals and a couple of standards. They keep the lp grounded.

Kenny Drew/NHO Pederson
Duo 2

1. Jeg Gik Mig Over So
2. Largo
3. My Little Suede Shoes
4 Trubell
5. Bluesology
6. Viking's Blues
7. A Child Is Born
8. It Might As Well Be Spring
9. My Shining Hour

Kenny Drew - piano
Niels-Henning Orsted Pederson - bass

Recorded 2/11-12/74, Copenhagen

IC 2010

Lee Konitz / Red Mitchell - I Concentrate On You

I had been searching for this baby for quite sometime and wouldn't you know, between the time I located it and actually had it sent, someone slipped it into the blogosphere. C'est la Vie!

I know the cat that put it up recently (a great guy) and we both agreed that there was room for both. His, if you locate it, is a flac copy from a cd. Mine once again is a lowly mp3 from the lp spinning on my turntable as I type.

I love way way these two work on this record. I love that Konitz treats the alto almost like a tenor, giving way to slow languorous lines instead of quick flights usually associated with the smaller horn. This lp is as sophisticated as anything Porter portrayed. Both players take this to heart in the probing, sensuous lines that follow along closely with the original melodies. And yet they still manage to not sacrifice the irreverence and wit that Porter cultivated in his songwriting.

And let it be said that this version of "I Concentrate On You" is one of the great seduction tracks of all time. A sure winner any time, but best during the cool down.

Lee Konitz/Red Mitchell
I Concentrate On You
a tribute to Cole Porter

1. Just One Of Those Things
2. Easy To Love
3. It's Alright With Me
4. Ev'rytime We Say Goodbye
5. You'd Be So Nice To Come Home To
6. Love For Sale
7. In The Still Of The Night
8. Night and Day*
9. I Love You
10. I Love Paris
11. I Concentrate On You

Lee Konitz - alto sax
Red Mitchell - bass, piano*

Recorded 7/30/74, Copenhagen

IC 2018

Stan Getz - Gold..."Happy 50th, Stan"....

Not to be confused with the much later Verve"greatest hits" type cd, also titled Gold.

This would be the Inner City version of the Steeplechase record pictured at the left.

Assuming it got it's title from celebrating Getz' 50th birthday, I salute him. My 50th was a milestone ( and a damn lot of fun) but I didn't document it for the world.

Again we have a couple of ex-pats calling on some of Euro's best to help out on a great outing.

Copenhagen in the early seventies was the place to be, forget the west coast.

Stan Getz - Gold
...Happy 50th, Stan...

1. Morning Star
2. Lady Sings The Blues
3. Cancao Do Sol
4. Lush Life
5. Stan's Blues

6. Infant Eyes
7. Lester Left Town
8. Eiderdown
9. Blues For Dorte

Stan Getz - tenor sax
Joanne brackeen - piano, electric piano
Niels-Henning Orsted Pedersen - Bass
Billy Hart - drums


recorded live 1/28, 29, &30/77
(Getz celebrated his birthday for 3 days, that's another feather in his cap.)


Disc One
Disc Two