Wardell Gray - Central Avenue

A friend asked me to repost this lp. It was a perfect opportunity to revisit it as well and I thought it was so fantastic that I decided to revise my much earlier post and give it it's due right here.

 Wardell Gray came of age in that special time between swing and bop. It was the west coast and things were as far out as they were back east just yet. Gray's easy tone and swinging feel make this a delight to listen to. Too bad his early demise relegated him to obscurity to all but hardcore jazz fans.

Other than a couple of alt versions this lp was also released as Wardell Gray Memorial Album. With the additional tracks it will no longer fit on a snigle disc so....
The first disc worth of tracks are the same as the memorial lp, you can skip them if you have a copy.


1. Twisted
2. Southside
3. Sweet Lorraine
4. Scrapple from the Apple
5. Move
6. A Sinner Kissed An Angel
7. Blue Gray
8. Grayhound
9. Treadin'
10. April Skies
11. Bright Boy
12. Jackie
13. Farmer's Market
14. Sweet and Lovely
15. Lover Man
16. The Man I Love
17. Lavonne
18. So Long Broadway
19. Paul's Cause


This bonus disc is the bomb! The first 3 tracks are the unissued sessions from Central Ave. "The Great Lie" is from an IAJRC release. "Stoned" is on a Mainstream comp. The last track is actually Gray's first ever release.

1. Twisted (alt.)
2. Easy Living (alt.)
3. Southside (alt.)
4. The Great Lie
5. Stoned
6. The Chase - Dexter Gordon's All Stars
7. Relaxin' at Camarillo
8. Cheers
9. Carvin' The Bird
10.Stupendous
11. Easy Living



There ya go. The whole shebang! A much better post than the first time around.

The Definitive Jazz Scene Vol 2 - Impulse Comp

The second set of amazingly unreleased (at the time) sessions from the Impulse stable. Other than the Ray Charles track this is easily as strong as the last batch. Not that the uncle Ray track is a slouch, it just seems a tad outta place. Granted it does make a fine opener.

Highlights for me this time include Shirley Scott doing an instrumental version of the song that was her vocal debut, Coltrane's massive take on contemporary Stan Getz' signature tune and Oliver Nelson making his septet sound huge!

The Definitive Jazz Scene
Vol. 2
1. Without A Song
2. The Blues Ain't Nothin' But Some Pain
3. Moon Over My Annie
4. Night Lights
5. Gloria
6. Dear Old Stockholm
7. You'd Be So Nice To Come Home To
8. Blues Company
9. Anything I Do

1. Ray Charles - piano; and a whole crapload of people of whom you have never heard. 7/10/63
2. Shirley Scott - organ; Bob Cranshaw - bass; Otis Finch - drums 5/14/64
3. Lionel Hampton - vibes; Clark Terry - flugelhorn; Ben Webster - tenor sax; Hank Jones - piano; Milt Hinton - bass; Osie Johnson - drums 10/28/64
4. Oliver Nelson - arr.; Thad Jones - tp; Phil Woods - alto sax; Phil Bodner - french horn; Pepper Adams - baritone sax; Roger Kelleway - piano; Richard Davis - bass; Grady Tate - drums 11/11/64
5. J.J. Johnson - tb; Harold Malbern, Jr. - piano; Arthur Harper, Jr. - bass; Frank Gant - drums 5/1/64
6. John Coltrane - tenor sax; McCoy Tyner - piano; Jimmy Garrison - bass; Elvin Jones - drums 4/29/64
7. McCoy Tyner - piano; Jimmy Garrison - bass; Albert Heath - drums 6/4/63
8. Manny Alban - arr.; Johnny Coles - tp; Urbie Green - tb; Phil Woods -slto sax; Oliver Nelson - tenor sax; Jim Hall - guitar; George Duvivier - bass, Gus Johnson, Jr. - drums; others 1/12/62
9. Tommy Flanagan - piano; Richard Davis - bass; Connie Kay - drums


Impulse A-100

The Definitive Jazz Scene Vol 1 - Impulse Comp

It seems like I have owned this record forever, pulling it out every couple of years to be floored once again at all the great music it has that I just never run into elsewhere. Cah-rist! Ellington and Hawkins! Coltrane! Webster! Mingus! Tyner! and more Hawkins!
Of the series of three, and none of them are weak, this is probably my favorite. The two Bean tracks are simply outstanding. And this is the part where I mess with you...this issue has far more detailed notes about the recordings sessions including anecdotes, which the following lps tended to lack. Of course I can't share them with you due to the digital block in my brain.

But I will share as much info as my poor tired fingers will allow....

The Hawkins/Ellington tune was recorded after the session had ended and Hawk talked a few guys into playing one of his favorite Ellington themes, Basie looks back at his roots with a new incarnation of his Kansas City Six. Mingus makes my soul soar with this version of Freedom, while I dig the soprano version of Trane's selection. Hawkins sneaks in again with Shelley Manne on an outtake from their lp. Ben Webster showcases Ellington's "Single Petal Of A Rose". Webster shows up again on Clark Terry's bonus track.
You're gonna have to trust me here...there ain't a bad track on this compilation.
Without doing a whole lot of homework, I will assume that most of these tracks have appeared across the board on the respective artist's releases, but at the time this vinyl was the shit!!

The Definitive Jazz Scene
Vol. 1

1. Solitude
2. Trey of Hearts
3. Single Petal of a Rose
4. Tippie
5. Lisa and Pam
6. Big Nick
7. Avalon
8. Freedom
9. Hammer-Head Waltz
10. Flapstick Blues

1. Duke Ellington - piano, Coleman Hawkins - tenor sax, Ray Nance - violin, Sam Woodyard - drums, Aaron Bell - bass 8/18/62
2. Count Basie - piano, Thad Jones - trumpet, Frank Wess, Eric Dixon - flutes, Freddie Green - guitar, Ed Jones - bass, Sonny Payne - drums 3/22/62
3. Ben Webster - tenor sax, Hank Jones - piano, Richard Davis - bass, Osie Johnson - drums 3/11/64
4. Terry Gibbs - vibes, Kenny Burrell - guitar, Sam Jones - bass, Louis Hayes - drums 1/16/64
5. Shirley Scott - organ, Earl may - bass, Jimmie Cobb - drums 8/22/63
6. John Coltrane - soprano sax, McCoy Tyner - piano, Jimmy Garrison - bass, Elvin Jones - drums 8/11/62
7. Coleman Hawkins - tenor sax, Shelley Manne - drums, Hank Jones - piano, George Duvivier - bass 2/5/62
8. Charles Mingus - bass, narration, Eddie Preston, Richard Williams - trumpets, Britt Woodman - trombone, Don Butterfield - tuba, Jerome Richardson, Dick Hafer, Booker Ervin, Eric Dolphy - saxophones, Jaki Byard - piano, Walter Perkins - drums 10/20/63
9. Clark Terry - trumpet, Phil Woods - alto sax, Ben Webster - tenor sax, Roger Kellaway - piano, Milt Hinton - bass, Walter Perkins - drums 3/13/64
10. McCoy Tyner - piano, Jimmy Garrison - bass, Albert Heath - drums 6/4/63

Impulse A-99

Wardell Gray - Central Avenue

I really dig Wardell Gray. I love the way he embraces bebop and swing both and yet manages to be the precursor to that whole west coast sound.

Gray later became semi-famous for his battles with Dex but I think these sessions stand up as well as anything he did.

Most have been reissued in various forms but were originally released as Prestige 78's.

Everything here comes from a Prestige twofer released the year I graduated high school. I can't imagine how I missed it. Due to time constraints I have not included a couple of alternate takes.

Wardell Gray
Central Avenue

1. Twisted*
2. Easy Living*
3. Southside*
4. Sweet Lorraine*
5. Scrapple from The Apple #
   
6. Move #
   
7. A Sinner Kissed an Angel ~
8. Blue Gray ~
9. Grayhound ~
10. Treadin ~
11. April Skies ^
    
12. Bright Boy ^
    
13. Jackie ^
    
14. Farmer's Market^
15. Sweet and lovely ^
16. Lover man ^
17. The Man I Love +
    
18. Lavonne +
19. So Long Broadway +
20. Paul's Cause +
21. 
    

Wardell Gray - tenor sax with
Al Haig - piano
Tommy Potter - bass
Roy Haynes - drums
Clark Terry - trumpet
Sonny Criss - alto sax
Dexter Gordon - tenor sax
Jimmy Bunn - piano
Billy Hadnott - bass
Chuck Thompson - drums
Phil Hill - piano
John Richardson - bass
Art Madigan - drums
Art Farmer - trumpet
Hampton Hawes - piano
Harper Crosby - bass
Lawrence Marable - drums
Robert Collier - conga
Frank Morgan - alto sax
Sonny Clark - piano
Teddy Charles - vibes
Dick Nivison - bass

* nyc - 11/11/49
# hula hut, LA - live - 8/27/50
~ Detroit - 4/25/50
^ LA - 1/21/52
+ LA - 2/20/53


Prestige P-24062

Clark Terry - Clark Terry

Clark Terry is often seen as one of the "elder statesmen" of the bop movement. I can't argue with that. His records "In Orbit" and "Serenade To A Bus Seat" are untouchable. Perfect examples of their craft. But outside of that I have found very little Terry that has captured my attention. And lets face it, his signature tune "Mumbles" is little more than a novelty number.

Now lest you think I am bashing Mr. Terry let me tell you that he has appeared on many, many records that I dig immensely. When I had a chance to see him several years ago, in what basically amounted to a large meeting room at a local hotel, I jumped at the chance, and kick myself to this day for not sticking around after the show to meet the man personally.

I found this record while digging through the basement of an "antique shop" in Geneva, Il. many years ago. The list of records I found there would make many drool with envy, but I digress.

At the time I was snapping up anything that even sounded remotely African influenced. And so I came to own this awesome lp. Nothing like anything I had heard from Terry before. Much earlier and full of fire, this record still finds its way to the turntable far more than the "classics".

Of course the outstanding cast of characters supporting him on this lp doesn't hurt one bit. This is terry's first outing as a leader.

Clark Terry - self titled
1. Swahili
2. Double Play
3. Slow Boat
4. Co-op
5. Kitten
6. The Countess
7. Tuma
8. Chuckles

Clark Terry - trumpet
Horace Silver - piano
Oscar Pettiford - cello
Wendell Marshall - bass
Art Blakey - drums
Jimmy Cleveland - trombone
Cecil Payne - baritone sax

Recorded Jan 3-4, 1955

EmArcy MG- 36007

mono copy