Happy Birthday, Duke '14

 

Another tribute to Duke. Just some of my favorite stuff from lps laying about, compiled in a less than sober state the weekend before Duke's birthday.
 I tried for a varied mix, with some covers both by Duke and others, some early stuff as well as some later. I'm really happy with the way this turned out.


1. Do Nothing Til You Hear From Me - Duke/Ray Brown - This One's For Blanton
2. Backward Country Boy Blues - Money Jungle
3. Jungle Blues - 30's orchestra covering Jelly Roll
4. Beginning To See The Light - Woody Herman/Erroll Garner
5. Apes and Peacocks - Queen's Suite
6. Mood Indigo - Anatomy of a Murder soundtrack
7. Sophisticated Lady = Billy Mitchell w/ Bobby Hutcherson
8. I Got It Bad and That Ain't Good - Johhny Hodges w/ Duke's Men
9. Echoes of Harlem - more classic old Duke, live from 1938
10. Satin Doll - Ella/Basie...'nuff said
11. I Can't Get Started - Duke Trio covering the classic tune.
12. Caravan - The Duke/Strayhorn All-Stars
13. Do Nothing Till You Hear From Me - Billie Holiday
14. Solitude - Duke/Coleman Hawkins, but Ray Nance deserves a mention here!
15. Single Petal Of A Rose - Ben Webster
16. Sweet and Pungent - Blues In Orbit...Duke's cool.
17. I Let A Song Go Out Of My Heart - Terry Gibbs Quartet
18. Everything But You - Eugenie Baird w/ Duke's Men
19. Skunk Hollow Blues - Johnny Hodges Orchestra
20. C-Jam Blues - Shirley Scott



If you want a copy of this comp, contact me.

Billie Holiday Vol 2 - Everest lp

I remember when I first bought this lp. It was a used record store sorta. The dude sold records on the landing of his parent's furniture shop. There were maybe 20 stacks of records around the floor, no crates or shelves.This was also the first time we had any access to used vinyl without driving the better part of 100 miles.
Years later this is a destination shop for me in the midwest. He has taken over the entire second floor and most of the first. Of course more space is dedicated to digital than vinyl, but the dude remains a collector at heart and there is always cool stuff to be unearthed at his shop.

 I love these Everest records. I have no doubt that these sessions were culled from many sources and given the artists represented I wouldn't be surprised if they weren't released any many other forms...but this is one of those jazz records I grew up with,  different from what was readily available and just cool as hell. This lp's heritage includes a period when it was the go-to choice when the rain was pattering on the roof of my house, I was safely ensconced in my mancave in the unfinished and rarely comfortable attic.Playing this brings back many fond memories. Enjoy.

Billie Holiday

Volume II

1. Fine And Mellow

2. What A Little Moonlight Can Do

3. Fooling Myself

4. Easy To Remember

5. You've Changed

6. Ghost Of A Chance

7. Willow Weep For Me

8. Stormy Weather

Musicians include Lester Young, Coleman Hawkins, Charlie Mingus, Ben Webster, Roy Eldridge, Gerry Mulligan, Vic Dickerson, Milt Hinton, Doc Cheatham, Danny Barker, Mal Waldron, Osie Johnson, Tyree Glenn.

recorded 8/29/56, 12/8/57, and 6/18/58

FS 310

Johnny Hodges & All The Duke's Men

Once again the trusty internet fails me and I have to take a picture of the lp.

I was gonna post something a bit more modern for a change but I ran into a few glitches. I have been promising someone I would get this up and it sure seemed like a good idea to give it a spin this afternoon, so here we are.

A short but essential lp. The kind of swinging records that just make you grin. The small band version of Satin Doll is Jeep at his smoothest. This should be on everyone's "seduction" disc. Amongst the Ellington standards are a few overlooked gems which give this record a more original feel than the usual knock off tribute lp that it easily could have been. Almost all the solos are Hodges but they never feel as though he is showing off nor just resting on his laurels. I want to listen to this record under the stars someday. With a cool breeze.

Johnny Hodges and
All The Duke's Men

1. Don't Get Around Much Anymore
2. Jeep's Blues
3. The Gal From Joe's
4. Satin Doll*
5. Azure
6. I've Got It Bad And That Ain't Good
7. Saturday Afternoon Blues*
8. I'm Just A Lucky So And So
9. I Didn't Know About You*
10. Day Dream

*The early session is a small band consisting of
Johnny Hodges - alto sax
Ben Webster - tenor sax
Roy Eldridge - trumpet
Vic Dickenson - trombone
Billy Strayhorn - piano
Jimmy Woode - bass
Sam Woodyard - drums
Recorded in 8/58 by Norman Granz

The other session was an all star, all Duke sidemen orchestra featuring
Hodges - alto
Billy Strayhorn - arranger and conductor
Shorty Baker, Cat Anderson, Bill Berry, Ed Mullens. Howard McGhee - trumpets
Lawrence Brown, Quentin Jackson, Chuck Connors - trombones
Russell Procope, Paul Gonsalves, Jimmy Hamilton, Harry Carney - reeds
Jimmy Jones - piano
Aaron Bell - bass
Sam Woodyard - drums
Recorded 12/11-12/61 by Rudy Van Gelder

Verve VSP/VSPS-3

The Definitive Jazz Scene Vol 2 - Impulse Comp

The second set of amazingly unreleased (at the time) sessions from the Impulse stable. Other than the Ray Charles track this is easily as strong as the last batch. Not that the uncle Ray track is a slouch, it just seems a tad outta place. Granted it does make a fine opener.

Highlights for me this time include Shirley Scott doing an instrumental version of the song that was her vocal debut, Coltrane's massive take on contemporary Stan Getz' signature tune and Oliver Nelson making his septet sound huge!

The Definitive Jazz Scene
Vol. 2
1. Without A Song
2. The Blues Ain't Nothin' But Some Pain
3. Moon Over My Annie
4. Night Lights
5. Gloria
6. Dear Old Stockholm
7. You'd Be So Nice To Come Home To
8. Blues Company
9. Anything I Do

1. Ray Charles - piano; and a whole crapload of people of whom you have never heard. 7/10/63
2. Shirley Scott - organ; Bob Cranshaw - bass; Otis Finch - drums 5/14/64
3. Lionel Hampton - vibes; Clark Terry - flugelhorn; Ben Webster - tenor sax; Hank Jones - piano; Milt Hinton - bass; Osie Johnson - drums 10/28/64
4. Oliver Nelson - arr.; Thad Jones - tp; Phil Woods - alto sax; Phil Bodner - french horn; Pepper Adams - baritone sax; Roger Kelleway - piano; Richard Davis - bass; Grady Tate - drums 11/11/64
5. J.J. Johnson - tb; Harold Malbern, Jr. - piano; Arthur Harper, Jr. - bass; Frank Gant - drums 5/1/64
6. John Coltrane - tenor sax; McCoy Tyner - piano; Jimmy Garrison - bass; Elvin Jones - drums 4/29/64
7. McCoy Tyner - piano; Jimmy Garrison - bass; Albert Heath - drums 6/4/63
8. Manny Alban - arr.; Johnny Coles - tp; Urbie Green - tb; Phil Woods -slto sax; Oliver Nelson - tenor sax; Jim Hall - guitar; George Duvivier - bass, Gus Johnson, Jr. - drums; others 1/12/62
9. Tommy Flanagan - piano; Richard Davis - bass; Connie Kay - drums


Impulse A-100

The Definitive Jazz Scene Vol 1 - Impulse Comp

It seems like I have owned this record forever, pulling it out every couple of years to be floored once again at all the great music it has that I just never run into elsewhere. Cah-rist! Ellington and Hawkins! Coltrane! Webster! Mingus! Tyner! and more Hawkins!
Of the series of three, and none of them are weak, this is probably my favorite. The two Bean tracks are simply outstanding. And this is the part where I mess with you...this issue has far more detailed notes about the recordings sessions including anecdotes, which the following lps tended to lack. Of course I can't share them with you due to the digital block in my brain.

But I will share as much info as my poor tired fingers will allow....

The Hawkins/Ellington tune was recorded after the session had ended and Hawk talked a few guys into playing one of his favorite Ellington themes, Basie looks back at his roots with a new incarnation of his Kansas City Six. Mingus makes my soul soar with this version of Freedom, while I dig the soprano version of Trane's selection. Hawkins sneaks in again with Shelley Manne on an outtake from their lp. Ben Webster showcases Ellington's "Single Petal Of A Rose". Webster shows up again on Clark Terry's bonus track.
You're gonna have to trust me here...there ain't a bad track on this compilation.
Without doing a whole lot of homework, I will assume that most of these tracks have appeared across the board on the respective artist's releases, but at the time this vinyl was the shit!!

The Definitive Jazz Scene
Vol. 1

1. Solitude
2. Trey of Hearts
3. Single Petal of a Rose
4. Tippie
5. Lisa and Pam
6. Big Nick
7. Avalon
8. Freedom
9. Hammer-Head Waltz
10. Flapstick Blues

1. Duke Ellington - piano, Coleman Hawkins - tenor sax, Ray Nance - violin, Sam Woodyard - drums, Aaron Bell - bass 8/18/62
2. Count Basie - piano, Thad Jones - trumpet, Frank Wess, Eric Dixon - flutes, Freddie Green - guitar, Ed Jones - bass, Sonny Payne - drums 3/22/62
3. Ben Webster - tenor sax, Hank Jones - piano, Richard Davis - bass, Osie Johnson - drums 3/11/64
4. Terry Gibbs - vibes, Kenny Burrell - guitar, Sam Jones - bass, Louis Hayes - drums 1/16/64
5. Shirley Scott - organ, Earl may - bass, Jimmie Cobb - drums 8/22/63
6. John Coltrane - soprano sax, McCoy Tyner - piano, Jimmy Garrison - bass, Elvin Jones - drums 8/11/62
7. Coleman Hawkins - tenor sax, Shelley Manne - drums, Hank Jones - piano, George Duvivier - bass 2/5/62
8. Charles Mingus - bass, narration, Eddie Preston, Richard Williams - trumpets, Britt Woodman - trombone, Don Butterfield - tuba, Jerome Richardson, Dick Hafer, Booker Ervin, Eric Dolphy - saxophones, Jaki Byard - piano, Walter Perkins - drums 10/20/63
9. Clark Terry - trumpet, Phil Woods - alto sax, Ben Webster - tenor sax, Roger Kellaway - piano, Milt Hinton - bass, Walter Perkins - drums 3/13/64
10. McCoy Tyner - piano, Jimmy Garrison - bass, Albert Heath - drums 6/4/63

Impulse A-99

Ben Webster - The Horn

Some people have elevated Ben Webster to godhead status. Well, he is good. And those Blanton-Webster sessions are immortal. Worth every bit of praise the receive, but they are still essentially Duke's glory.

How was Webster when he struck out on his own? Well I have not dug too deeply because the few mainstream releases I have encountered were, while not bad, but unexciting at best.

That would however exclude the session he made with Tatum, which is outstanding.

However these two odd sessions that I am sharing here go a long way to convincing that once again I may not know what the hell I am talking about. Good stuff these...

Ben Webster - The Horn
1. Teezol
2. Don't Blame Me
3. 'Nuff Said
4. Tea For Two
5. Woke Up Cliped
6. I Surrender, Dear
7. Dirty Deal
8. The Horn
9. I Got It Bad and That Ain't Good
10. Spang
11. Dark Corners
12. Blues Mr. Brim
13. Frog And Mule
14. The Jeep Is Jumpin'

Tracks 1-8:
Ben Webster - tenor
Oran "Hot Lips' Page - trumpet
Clyde Hart - piano
Charlie Drayton - bass
Denzil Best - drums

from Circle Records 1982 reissue of a Feb. 8, 1944 session for World Transcriptions.
originally released only on 16" platter for radio station use. CLP-41; in original mono

Tracks 9-14 are from a Doctor Jazz reissue of a record that was originally released on Bob Thiele Music label. It was titled The Big Three and contained sessions by Wester, as well as Hawkins and Young. Their sessions will be showcased later I would assume.
Webster are from two sessions in May 1944, the 3rd* and 15th. Both have 52nd St. written all over them.

For the 3rd, the personnel were
Ben Webster - tenor
Idress Sulieman - trumpet
Tony Scott - clarinet
Sadik Hakim - piano
Bill DeArango - guitar
John Simmons - bass
Sid Catlett - drums

For the 15th, it was Webster, DeArago, Simmons, and Catlett with
Al Haig - piano

You find them both here

Battle of the Tenor Saxes - IAJRC 15

A big damn thanks to Luis for scanning this cover for me.


I used to be a member of this organization, but economics and differences in taste finally caused me to drop out. I still hold them in the highest regard.

This is obviously a labor of love. Self published and full of rare tracks, I truly hope I am not hurting any one's feelings by sharing this, but it no longer appears available on their website in any form.
This lp is split into two camps, "The Big Sound" and "The Cool School". Can't say I really dig one side over the other as this is some outstanding shit.

The liner notes are extensive, comprehensive and far too detailed to provide here. but the one thing I want to reiterate from them - "Melvin Moore's vocal on Deep Purple is regrettable but the side is included here for its rarity as well as the brief contribution of Marsh."

(Aw shit - an hour of typing gone in a keystroke - what you get here is a track
and artist list, full personnel detail available in a couple of days.

Battle Of The Tenor Saxes IAJRC 15
Side One - "The Big Sound"

1. Skippy - Coleman Hawkins
2. Surf Board - Ben Webster
3. Dumb Woman Blues - Gene Ammons
4. Cup-Mute Clayton - Ike Quebec
5. Topsy - Ike Quebec
6. The Happening - Paul Gonsalves
7. Sahara Heat - Illinois Jaquet
8. Don't Push Daddy - Illinois Jaquet

Side Two - "The Cool School"

9. Movin' With Lester - Lester Young
10. Lester Smooths It Out - Lester Young
11. On The Town - Dexter Gordon
12. The Way You Look Tonight - Allen Eager
13. I'm Shooting High - Warne Marsh
14. Deep Purple - Warne Marsh
15. Oh Well - James Moody
16. The Great Lie - Wardell Gray

IAJRC 15

You won't gleam a lot of info off this back cover scan but here it is if you want to try. Again , thanks Luis.