Saturday, June 22, 2013
Verve reissued a handful of these records in 1983. Pretty sure they never made the cd transistion. My copy is one of those ARS series that were sent to schools and libraries.
I have been on a bit of a Lester Young kick lately and digging through the lps I found this neglected little gem. Not a major record in anyone's discography but still a cool way to spend a hot summer evening. Hell, Prez doesn't even make the cover!!
Side one is a typical JATP jam session. Side two features the inevitable Oscar Peterson group and a odd outing by Gene Krupa. As much as Peterson leaves me cold, this version of Budo is entertaing.
Dizzy is smokin' as always.
Jazz At The Philharmonic
Chicago Opera House
1. Mail Order Blues
Flip Phillips, Lester Young, Illinois Jaquet - saxes
Dizzy Gillespie, Roy Eldridge - trumpet
Buddy Rich - drums
Oscar Peterson - piano
Herb Ellis - guitar
Ray Brown- bass
2. Anything Goes
3. Baby, Baby All The Time
Oscar Peterson -piano
Herb Ellis - guitar
Ray Brown - bass
5. Drum Boogie
Gene Krupa - drums
Eddie Shu - sax & trpt
Bobby Scott - piano
Whitey Mitchell - bass
* The link has been corrected, You just have to look a little harder.
Tuesday, June 18, 2013
I may be slow but this is a classic story... A while back I posted a Mingus Big Band radio show from Glasgow, which incidentally was from a friend in IAJRC. Well, our buddy JD said he had a recording of their return to Glasgow that he wanted to share. I enthusiastically agreed. and then both of us promptly forgot.
Fast forward one year and JC lets me know it wasn't really Glasgow but NYC and did I still want to share?
Well of course. It is also the reason I love doing this. Because there are a handful of music lovers that really care about this stuff. The troll may get me down but this makes it all worthwhile. Thanks JD, for the awesome contribution.. Now I'm gonna let the dude speak for himself ...
The band move through a kaleidoscope of styles with a swinging ferocity that Mingus would have frankly envied. All his life, he craved and rarely had a large ensemble to serve his oversized compositional ambitions. “Charles wanted a band like this desperately,” says pianist and arranger Sy Johnson. “And on a night when the gods are smiling, it is an awesome thing.”
Ms. Sue Mingus, figurehead behind the continuation of the Mingus legacy, may not have quite her husband’s appetite for public confrontation, but she has mastered the first principle of his working method: demanding from the band the highest level of im perfection. As Mr. Johnson recalls: “Charles had a chaos theory long before the scientists. He would get infuriated if the band really started to swing hard. He felt that the band was being taken away from him. He would get mad and try to fuck it up. He wanted to mix it up, make it uncomfortable for the players so they would reach deeper into themselves.”
Without the benefit of Charles Mingus to trip them up, the Big Band finds its proper level of chaos by having no one specifically in charge of the music. Sue Mingus draws on a pool of maybe 100 first-rate players that on a given night might include trumpeter Randy Brecker, saxophonist John Stubblefield, pianist Kenny Drew Jr. Instead of a lineup, there are fractal patterns of personnel that assume a specific personality for one gig and then disappear. The constants are a lot of good soloists competing for solo space, the arrangements and Mingus’ own tunes. It adds up to a coherence rare in a big-band world where brass sections still play call-and-response with the reeds. Another way of looking at it is that it all adds up to Mingus.
“He’s dead center in the middle of the music,” Ms. Mingus says. “I think all the musicians feel that way. Sometimes there are specific moments when the bass string will snap at the beginning of a concert, and everyone gets a funny look on their face. He’s still egging people, making these demands. I feel like a mouthpiece for him-I’m the loudmouth in the wings.” Adapted from a web article on the Mingus Big Band at the Fez
This is a set I've been meaning to post for ages, but I simply never got round to finishing the artwork until now. Never mind, it's here now, and it's a real KILLER from start to finish! The Mingus Big Band is, for me, one of the best BBs around; always reliably solid, always enjoyable, but when they're at their best - as here - they're unbeatable. The short recording, some 43 minutes and comprising just four top-notch compositions, comes from early in the band's residency at the Fez in New York in 1998, and was aired by the BBC in (I think) 1999. I've treasured it ever since. Clearly, as Sy Johnson says, the gods were smiling this night, and it is indeed an awesome thing!....JD
2. Tijuana Moods
4. Nostalgia In Times Square
Saturday, June 1, 2013
More crazy goodness. All the big names are here, Django and Dorsey and many more plus a handful of obscurities. Whether you like what he does with these recordings or not, it is very cool to just be able to listen to them. Crackling stuff as Parker will say.
As usual, a pair of 1/2 hour shows. .