When you get up in the morning, you must have a song - Ray Charles

Saturday, December 31, 2011

David S Ware - Surrendered


I have had this record in the queue for awhile but I hesitated because I thought it might be to widely available still. I stand by that and yet here I am offering to whoever because I love it so much and it would be a shame to delete the file.
So on this New Year's Eve I offer this not so rare record (in the comments) while I wish y'all the most grooviest, stress-free and fulfilling wishes. Thanks to all who have made this blog a fun thing to share.

Keep swingin'. Direct orders from Chez Hook and we have never knowingly offered bad advice.


surrendered

Tuesday, December 27, 2011

Sam Rivers - R.I.P.

 Well I was hoping to not make a post until after the new year but sadly we have to say goodbye to Sam Rivers.

He played on some of my favorite records like Andrew Hill's Changes, Dave Holland's Conference of the Birds, and Bobby Hutcherson's Dialogue. He recorded that great lp with Don Pullen Capricorn Rising.

This was his first date as a leader. Dig around, there are a couple of Rivers' post on the blog.

R.I.P.



Thursday, December 22, 2011

Walt Dickerson - Unity


The vibes are cool, man. That's all they can be.They can swing. Oh, they can swing like a mother, but they always stay cool. Walt Dickerson is cool. Lionel Hampton was cool. Really cool. Bobby Hutcherson was soon to be cool. Probably the coolest of them all.  But in between Dickerson showed 'em how to improvise.
 These side long tracks sport a pair of drummers and not a horn to be seen!! I think this record shows a foresight rarely seen in 1964.

1. Unity
2. High Moon

Walt Dickerson - vibes
Walter Davis, Jr. - piano
Andrew Cyrille  drums
Edgar Bateman - drums
George Tucker - bass

The cover photo is of the 1978 vinyl reissue you are currently digging...or at least should be soon.

CR 2011

Monday, December 19, 2011

David Murray Trio - The Hill


My first thoughts about this aren't even going to be about the music but rather the cover itself. I love the photo and it is one of those that photos that looks so great on an lp cover even if it doesn't reproduce so well here. The dark curtains blowing in the old window sets a tone for the music inside I believe. As a cd cover it is shit.  You can barely make the photo out and you're always drawn to that god awful typesetting. That lettering belongs on a Cheap Trick record but I digress.
  I mentioned in my first David Murray post that for years I had a hit and miss relationship with his music.  You see I came late to Murray and several other like minded musicians. I had no one to lead me. The only jazz my friends listened to was all too well known to me and I was the one looking ahead. So I didn't become an ardent fan of Murray's until a good 25 years after he started recording. Since then he has become a favorite.
 This record has also been a standout in his career to me. What I like about sax trio records is there is nowhere to hide. You hire a crack rhythm section and you play your heart out. Murray opens with a smoking version of "Santa Barbara and Crenshaw Follies", a track I know from an octet outing  recorded several years prior. Before this ends you know you've just gotten your money's worth and you have the rest of the lp to follow. And follow it does, without slowing down or missing a beat, that is until the last song when everyone takes a deep breath, the vibes are rolled out and we get what may be one of my favorite versions of Strayhorn's Chelsea Bridge. Link pulled, check comments

David Murray Trio
The Hill

1. Santa Barbara and Crenshaw Follies
2. The Hill
3. Fling
4. Take the Coltrane
5. Herbie Miller
6. Chelsea Bridge

David Murray - tenor sax, bass clarinet
Richard Davis - bass
Joe Chambers - drums, vibes

Black Saint, 1988   120 110-1